Moving on to the next decade, the 1760's present us with an opportunity which was lacking in the 1750's: being able to provide dates of composition, which, if not exact, are at least more narrowly boxed in. As you would expect, certain genres have been far more closely studied than others have, thus the dates for symphonies are likely closer than those for string trios, for example. No matter, we will soldier on and make the best of what we have, grateful for it!
As always, questions, corrections or any other comment can be directed to me by the email address at the right. I try to update the information at every opportunity.
Per my usual habit, these groups are ordered and named by the Hoboken method, however, the works within the groups I have tried to order by year of composition. I haven't intentionally included any works which are listed as 'Lost', although ones which are partially lost but have been reconstructed to near their original condition are listed.
|
Symphonies – Hoboken I |
||||||
|
Year |
Hob I # |
NC |
Landon |
Key |
Name |
Instruments |
|
1761 |
15 |
16 |
9 |
D |
|
2 Oboes, 2 Horns & Strings |
|
1761 |
3 |
17 |
18 |
G |
|
2 Oboes, 2 Horns & Strings |
|
1761 |
6 |
18 |
20 |
D |
Le matin |
Flute, 2 Oboes, 2 Horns (in D) & Strings |
|
1761 |
7 |
19 |
21 |
C |
Le midi |
Flute, 2 Flutes or Oboes, Bassoon, 2 Horns & Strings |
|
1761 |
8 |
20 |
22 |
G |
Le soir |
Flute, 2 Oboes, Bassoon, 2 Horns & Strings |
|
1762 |
36 |
21 |
26 |
Eb |
|
2 Oboes, 2 Horns & Strings |
|
1762 |
33 |
22 |
15 |
C |
|
2 Oboes, 2 Horns, 2 Trumpets, Timpani & Strings |
|
1762 |
9 |
23 |
23 |
C |
|
2 Flutes or Oboes, Bassoon, Horn & Strings |
|
1762 |
108 |
24 |
6 |
Bb |
Symphony B |
2 Oboes, Bassoon, 2 Horns & Strings |
|
1762 |
14 |
25 |
25 |
A |
|
2 Oboes, 2 Horns & Strings |
|
1763 |
12 |
26 |
27 |
E |
|
2 Oboes, 2 Horns & Strings |
|
1763 |
40 |
27 |
29 |
F |
|
2 Oboes, 2 Horns & Strings |
|
1763 |
16 |
28 |
7 |
Bb |
|
2 Oboes, 2 Horns & Strings |
|
1763 |
34 |
29 |
39 |
d |
|
2 Oboes, 2 Horns & Strings |
|
1763 |
72 |
30 |
30 |
D |
|
Flute, 2 Oboes, Bassoon, 4 Horns, (opt Timpani) & Strings |
|
1763 |
13 |
31 |
28 |
D |
|
Flute, 2 Oboes, 4 Horns, (opt Timpani) & Strings |
|
1764 |
23 |
32 |
33 |
G |
|
2 Oboes, 2 Horns & Strings |
|
1764 |
22 |
33 |
32 |
Eb |
The Philosopher |
2 English Horns, 2 Horns & Strings |
|
1764 |
21 |
34 |
31 |
A |
|
2 Oboes, 2 Horns & Strings |
|
1764 |
24 |
35 |
34 |
D |
|
Flute & Oboe or 2 Oboes, 2 Horns & Strings |
|
1765 |
30 |
36 |
35 |
C |
Alleluia |
Flute, 2 Oboes, 2 Horns & Strings |
|
1765 |
31 |
37 |
37 |
D |
Hornsignal |
Flute, 2 Oboes, 4 Horns & Strings |
|
1765 |
39 |
38 |
40 |
g |
|
2 Oboes, 4 Horns & Strings |
|
1765 |
29 |
39 |
36 |
E |
|
2 Oboes, 2 Horns & Strings |
|
1766 |
28 |
40 |
38 |
A |
|
2 Oboes, 2 Horns & Strings |
|
1767 |
38 |
41 |
43 |
C |
|
2 Oboes, 2 Horns & Strings (opt. 2 Trumpets, Timpani) |
|
1767 |
58 |
42 |
45 |
F |
|
2 Oboes, 2 Horns & Strings |
|
1767 |
35 |
43 |
41 |
Bb |
|
2 Oboes, 2 Horns & Strings |
|
1768 |
59 |
44 |
42 |
A |
Fire |
2 Oboes, 2 Horns & Strings |
|
1768 |
49 |
45 |
49 |
f |
The Passion |
2 Oboes, 2 Horns & Strings |
|
1768 |
26 |
46 |
46 |
d |
Lamentation |
2 Oboes, 2 Horns & Strings |
|
1768 |
41 |
47 |
47 |
C |
|
Flute, 2 Oboes, 2 Horns & Strings (opt. 2 Trumpets, Timpani) |
|
1769 |
65 |
48 |
57 |
A |
|
2 Oboes, 2 Horns & Strings |
|
1769 |
48 |
49 |
48 |
C |
Maria Theresia |
2 Oboes, 2 Horns & Strings (opt. 2 Trumpets, Timpani) |
|
1770 |
44 |
50 |
44 |
e |
Mourning |
2 Oboes, 2 Horns & Strings |
|
1770 |
43 |
51 |
51 |
Eb |
Mercury |
2 Oboes, 2 Horns & Strings |
|
(Hoboken catalog N°s.) |
(New Chronology / Gerlach N°s.) |
(Robbins-Landon N°s.) |
||||
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Divertimentos for Four or more Instruments – Hoboken II |
||||
|
Year |
Hob 2 # |
Key |
Instruments |
Notes |
|
1761 |
14 |
C |
2 Clarinets & 2 Horns |
|
|
1761 |
17 |
C |
2 Clarinets, 2 Horns, 2 Violins, 2 Violas & Basso |
|
|
1761 |
24 |
Eb |
Flute, 2 Cors Anglaise, Bassoon, 2 Horns, 2 Violins & Basso |
Fragment - 1 movement remains, a Tempo di Menuetto with 5 variations |
|
1761 |
33 |
F |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #1 |
|
1761 |
34 |
C |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #2 |
|
1761 |
35 |
D |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #3 |
|
1761 |
36 |
G |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #4 |
|
1761 |
37 |
E |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #5 |
|
1761 |
38 |
A |
Flute, 2 Oboes, 2 Horns, 2 Violins & Basso |
Scherzando #6 |
|
1761 |
8 |
D |
2 Flutes, 2 Horns, 2 Violins & Basso |
Morzin had no flutes, so 1761 or later for Esterhazy |
|
1763 |
1 |
G |
Flute, Oboe, 2 Violins & Basso |
|
|
1764 |
D22 |
D |
4 Horns, Violin, Viola & Basso |
Called 'Cassatio' |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
String Quartets – Hoboken III |
|||||
|
Year |
Hob # |
Opus # |
New Grove # |
Key |
Notes |
|
1769/70 |
22 |
9 #4 |
11 |
d |
Called by Haydn '6 Divertimentos' |
|
1769/70 |
19 |
9 #1 |
12 |
C |
New Grove number indicates probable order of composition |
|
1769/70 |
21 |
9 #3 |
13 |
G |
|
|
1769/70 |
20 |
9 #2 |
14 |
Eb |
|
|
1769/70 |
23 |
9 #5 |
15 |
Bb |
|
|
1769/70 |
24 |
9 #6 |
16 |
A |
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Divertimentos for Three Instruments – Hoboken IV |
||||
|
Year |
Hob 4 # |
Key |
Instruments |
Notes |
|
1767 |
5 |
Eb |
Horn, Violin & Cello |
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
String Trios – Hoboken V |
||||
|
Year |
Hob 5 # |
Trio # |
Key |
Instruments |
|
1763 |
16 |
15 |
C |
2 Violins & Basso (Cello or Violone) |
|
1763 |
17 |
16 |
Eb |
2 Violins & Basso (Cello or Violone) |
|
1763 |
18 |
17 |
Bb |
2 Violins & Basso (Cello or Violone) |
|
1763 |
19 |
18 |
E |
2 Violins & Basso (Cello or Violone) |
|
1763 |
20 |
19 |
G |
2 Violins & Basso (Cello or Violone) |
|
1765 |
21 |
22 |
D |
2 Violins & Basso (Cello or Violone) |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
String Duos – Hoboken VI |
||||
|
Year |
Hob 6 # |
Key |
Instruments |
Notes |
|
1770 |
1 |
F |
Violin & Viola |
Arrangements for Violin & Cello were not done by Haydn, nor were any of the multitude of others |
|
1770 |
2 |
A |
Violin & Viola |
|
|
1770 |
3 |
Bb |
Violin & Viola |
|
|
1770 |
4 |
D |
Violin & Viola |
|
|
1770 |
5 |
Eb |
Violin & Viola |
|
|
1770 |
6 |
C |
Violin & Viola |
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Concertos – Hoboken VII |
|||
|
Year |
Hob 7 # |
Key |
Instruments |
|
1761 |
a:4 |
G |
Solo Violin & Strings |
|
1762 |
d:3 |
D |
Solo Horn, 2 Oboes & Strings |
|
1763 |
a:1 |
C |
Solo Violin & Strings |
|
1763 |
a:3 |
A |
Solo Violin & Strings |
|
1763 |
b:1 |
C |
Solo Cello, 2 Oboes, 2 Horns & Strings |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Miscellaneous Baryton Works – Hoboken X |
|||
|
Year |
Hob 10# |
Key |
Instruments |
|
1768 |
10 |
D |
Quintet for Baryton, 2 Horns, Viola & Bass |
|
1766 |
11 |
D |
2 Barytons |
|
1767 |
7 |
D |
2 Barytons |
|
1765-70 |
9 |
D |
2 Barytons & 2 Horns |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Baryton Trios – Hoboken XI |
||||
|
Year |
Hob 11# |
Book |
Key |
Instruments |
|
1765 |
1 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
2 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
3 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
4 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
5 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
6 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
7 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
8 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
9 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
10 |
1 |
A |
Baryton, Viola & Cello |
|
1765 |
11 |
1 |
D |
Baryton, Viola & Cello |
|
1765 |
12 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
13 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
14 |
1 |
D |
Baryton, Viola & Cello |
|
1766 |
15 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
16 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
17 |
1 |
D |
Baryton, Viola & Cello |
|
1766 |
18 |
1 |
D |
Baryton, Viola & Cello |
|
1766 |
19 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
20 |
1 |
D |
Baryton, Viola & Cello |
|
1766 |
21 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
22 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
23 |
1 |
A |
Baryton, Viola & Cello |
|
1766 |
24 |
1 |
D |
Baryton, Viola & Cello |
|
1766/67 |
25 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
26 |
2 |
G |
Baryton, Viola & Cello |
|
1766/67 |
27 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
28 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
29 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
30 |
2 |
G |
Baryton, Viola & Cello |
|
1766/67 |
31 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
32 |
2 |
G |
Baryton, Viola & Cello |
|
1766/67 |
33 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
34 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
35 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
36 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
37 |
2 |
G |
Baryton, Viola & Cello |
|
1766/67 |
38 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
39 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
40 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
41 |
2 |
D |
Baryton, Viola & Cello |
|
1767 |
42 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
43 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
44 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
45 |
2 |
D |
Baryton, Viola & Cello |
|
1766/67 |
46 |
2 |
A |
Baryton, Viola & Cello |
|
1766/67 |
47 |
2 |
G |
Baryton, Viola & Cello |
|
1766/67 |
48 |
2 |
D |
Baryton, Viola & Cello |
|
1767/68 |
49 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
50 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
51 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
52 |
3 |
D |
Baryton, Viola & Cello |
|
1767 |
53 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
54 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
55 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
56 |
3 |
D |
Baryton, Viola & Cello |
|
1768 |
57 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
58 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
59 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
60 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
61 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
62 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
63 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
64 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
65 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
66 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
67 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
68 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
69 |
3 |
D |
Baryton, Viola & Cello |
|
1767/68 |
70 |
3 |
G |
Baryton, Viola & Cello |
|
1767/68 |
71 |
3 |
A |
Baryton, Viola & Cello |
|
1767/68 |
72 |
3 |
D |
Baryton, Viola & Cello |
|
1768/71 |
73 |
4 |
G |
Baryton, Viola & Cello |
|
1768/71 |
74 |
4 |
D |
Baryton, Viola & Cello |
|
1768/71 |
75 |
4 |
A |
Baryton, Viola & Cello |
|
1768/71 |
76 |
4 |
C |
Baryton, Viola & Cello |
|
1768/71 |
77 |
4 |
G |
Baryton, Viola & Cello |
|
1768/71 |
78 |
4 |
D |
Baryton, Viola & Cello |
|
1769 |
79 |
4 |
D |
Baryton, Viola & Cello |
|
1768/71 |
80 |
4 |
G |
Baryton, Viola & Cello |
|
1768/71 |
81 |
4 |
D |
Baryton, Viola & Cello |
|
1768/71 |
82 |
4 |
C |
Baryton, Viola & Cello |
|
1768/71 |
83 |
4 |
F |
Baryton, Viola & Cello |
|
1768/71 |
84 |
4 |
G |
Baryton, Viola & Cello |
|
1768/71 |
85 |
4 |
D |
Baryton, Viola & Cello |
|
1768/71 |
86 |
4 |
A |
Baryton, Viola & Cello |
|
1768/71 |
87 |
4 |
a |
Baryton, Viola & Cello |
|
1768/71 |
88 |
4 |
A |
Baryton, Viola & Cello |
|
1768/71 |
89 |
4 |
G |
Baryton, Violin & Cello |
|
1768/71 |
90 |
4 |
C |
Baryton, Violin & Cello |
|
1768/71 |
91 |
4 |
D |
Baryton, Violin & Cello |
|
1768/71 |
92 |
4 |
G |
Baryton, Viola & Cello |
|
1768/71 |
93 |
4 |
C |
Baryton, Viola & Cello |
|
1768/71 |
94 |
4 |
A |
Baryton, Viola & Cello |
|
1768/71 |
95 |
4 |
D |
Baryton, Viola & Cello |
|
1768/71 |
96 |
4 |
b |
Baryton, Viola & Cello |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Duos for Baryton – Hoboken XII |
||||
|
Year |
Hob 12 # |
Key |
Instruments |
Notes |
|
1764-69 |
1 |
A |
2 Barytons |
|
|
1764-69 |
2 |
G |
2 Barytons |
|
|
1764-69 |
4 |
G |
2 Barytons |
|
|
1766 |
5 (+3) |
D |
2 Barytons |
# 3 & #5 were combined to make an entire work |
|
1764-69 |
6 |
G |
2 Barytons |
|
|
1766-69 |
18 |
A |
Solo Baryton (w/cello?) |
|
|
1766 |
19 |
2 Barytons & Basso |
12 Cassations - in A, A, D, A, A, D, A, A, D, A, A, A |
|
|
1765-66 |
20 |
G |
Solo Baryton (w/cello?) |
Only the incipit from the Entwurf Katalog remains |
|
1765-66 |
21 |
D |
Solo Baryton (w/cello?) |
Only the incipit from the Entwurf Katalog remains |
|
1765-66 |
22 |
A |
Solo Baryton (w/cello?) |
Only the incipit from the Entwurf Katalog remains |
|
1765-66 |
23 |
G |
Solo Baryton (w/cello?) |
Only the incipit from the Entwurf Katalog remains |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Divertimentos & Concertinos with Keyboard – Hoboken XIV |
||||
|
Year |
Hob 14 # |
Key |
Instruments |
Notes |
|
1763 |
1 |
Eb |
Cembalo, 2 Horns, Violin & Basso |
Called 'divertimento' |
|
1764 |
4 |
C |
Cembalo, 2 Violins, Basso |
Called 'divertimento' |
|
1765 |
10 |
C |
Cembalo, 2 Violins, Basso |
Fragmentary - only harpsichord part remains and it is incomplete (finale missing) |
|
1765 |
C2 |
C |
Cembalo, 2 Violins, Basso |
Called 'divertimento' |
|
1770 |
8 |
C |
Cembalo, 2 Violins, Basso |
Called 'divertimento' |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Sonatas for Solo Keyboard – Hoboken XVI |
||||
|
Year |
Hob 16# |
Landon# |
Key |
Notes |
|
1761 |
13 |
15 |
E |
|
|
1761 |
14 |
16 |
D |
|
|
1764 |
Eb2 |
17 |
Eb |
|
|
1764 |
Eb3 |
18 |
Eb |
|
|
1765 |
4 |
9 |
D |
|
|
1765 |
3 |
14 |
C |
|
|
1765 |
47 |
19 |
e |
Original version of Hob 47 (Landon 57) |
|
1765 |
5a |
28 |
D |
Incomplete - only large fragments of first 2 movements remain |
|
1766 |
45 |
29 |
Eb |
|
|
1767 |
12 |
12 |
A |
|
|
1767 |
19 |
30 |
D |
|
|
1768 |
46 |
31 |
Ab |
|
|
1770 |
44 |
32 |
g |
|
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|
Other Works for Keyboard – Hoboken XVII |
||||
|
Year |
Hob 17# |
Key |
Instruments |
Notes |
|
1764 |
deest |
Cembalo/Clavier |
12 Minuets Hob 09_3 - Keyboard arrangement |
|
|
1765 |
1 |
G |
Cembalo/Clavier |
Capriccio on the folk song "Acht Sauschneider müssen sein" (It takes 8 Strong Men) |
|
1765 |
2a |
G |
Cembalo/Clavier |
Theme and 20 Variations - Original version |
|
1769 |
a:1 |
F |
Harpsichord 4 Hands |
"Il Maestro e Il Scolare" (The Master & The Student) |
|
1769 |
a:2 |
F |
2 Harpsichords |
Parthia for 2 Harpsichords |
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|
Concertos for Keyboard – Hoboken XVIII |
||||
|
Year |
Hob 18 # |
Key |
Instruments |
Notes |
|
1766 |
3 |
F |
Harpsichord & Strings |
(2 Horns optional) |
|
1767 |
F2 |
F |
Cembalo, 2 Violins, Basso |
Should be in Hob 14, but it isn't. |
|
1769 |
4 |
G |
Harpsichord & Strings |
(2 Oboes & 2 Horns optional) |
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|
Large Sacred Works (not Masses) – Hoboken XX bis |
|||
|
Year |
Hob 20 # |
Instruments |
Notes |
|
1767 |
bis |
S-A-T-B soloists & Chorus, 2 Oboes & Strings |
Stabat Mater |
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|
Masses – Hoboken XXII |
|||||
|
Year |
Hob 22 # |
Title |
Key |
Forces |
Notes |
|
1766 - 73 |
5 |
Missa Celensis |
C |
S-A-T-B, Chorus, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, Strings & Continuo (Organ) |
|
|
1768 |
2 |
Missa sunt 'bona mixta malis' |
d |
Chorus, Continuo (Organ) |
Haydn wrote on it "Mass with good mixed with bad" |
|
1768 |
4 |
'Grosseorgelsolomesse' |
Eb |
S-A-T-B, Chorus, 2 English Horns, 2 Horns, (2 Trumpets, Timpani), 2 violins, Continuo & Organ obbligato |
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Smaller Sacred Works (not Masses) – Hoboken XXIII |
|||||
|
Year |
Hob 23a# |
Key |
Title |
Forces |
Notes |
|
1762 |
4 |
C |
Motet for Saint Thecla |
Soprano, Chorus, 2 Trumpets, Timpani & Strings |
|
|
1763 |
G9 |
G |
O coelitum beati |
Soprano & Strings |
|
|
1765 |
2 |
C |
Animae Deo Gratae |
2 Sopranos, Tenor, Chorus, 2 Oboes, 2 Trumpets, Timpani & Strings |
|
|
1765 |
3 |
G |
Ens eternam |
Chorus & Strings |
|
|
1768 |
1 |
d |
Non nobis Domine |
Choir, BC |
Offertorium |
|
Hob 23c# |
|||||
|
1763 |
1 |
C |
Te Deum |
S-A-T-B, Chorus, 2 Trumpets, Timpani & Strings |
Probably composed for Anton Esterházy's wedding in 1763 |
|
1765 |
4 |
Bb, d, A, Ab |
Lauda Sion |
Chorus, 2 Horns & Strings |
|
|
1768 |
3 |
G |
Alleluia |
Soprano, Alto, Chorus & Strings |
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Cantatas or Arias with Orchestra – Hoboken XXIV |
||||||
|
Year |
Hob 24a# |
Key |
Title |
Forces |
||
|
1763 |
2 |
G |
Destatevi, o miei fidi |
2 Sopranos, Tenor, Chorus, 2 Oboes, 2 Horns & Strings |
||
|
1764 |
3 |
C |
Da qual gioia improvvisa |
2 Sopranos, Alto, 2 Tenors, Bass, Chorus, Flute, 2 Oboes, Bassoon, 2 Horns, Harpsichord & Strings |
||
|
1764 |
4 |
A |
Qual dubbio ormai |
Soprano, Chorus, 2 Oboes, 2 Horns, Harpsichord & Strings |
||
|
1768 |
6 |
C |
Applausus |
S-A-T-B, 2 Oboes, Bassoon, 2 Horns/Trumpets, Timpani, Harpsichord & Strings |
||
|
Hob 24b# |
||||||
|
1761 |
1 |
Costretta a piangere |
Dorina (Soprano) - Opera unknown, by Haydn |
|||
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Cantatas or Arias with Keyboard – Hoboken XXVI |
||||
|
Year |
Hob 26a# |
Key |
Title |
Scoring |
|
1768 |
37 |
E |
Beim Schmerz, der dieses Herz durchwuhlet |
Solo voice & Keyboard |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Italian Operas – Hoboken XXIII |
|||||
|
Year |
Hob 28 # |
Libretto |
Title |
Voices / Instruments |
Notes |
|
1762 |
1 |
Migliavacca |
Acide |
2 Sop., Alto, Tenor, Bass, 2 Flutes, 2 Oboes (doubling English Horns), 2 Horns, Strings, Basso continuo |
Composed in 1762, performed in 1763 |
|
1766 |
2 |
Unknown, based on a comedy from 1753 by Sciroli. |
La canterina |
3 Sop., Tenor, 2 Flutes, 2 Oboes (doubling English Horns), 2 Horns, Strings, Basso continuo |
Premiered in Pressburg at Carnival in 1767 |
|
1768 |
3 |
after Goldoni |
Lo speziale |
2 Sop., 2 Tenors, 2 Flutes, 2 Oboes, Bassoon, 2 Horns, Strings, Basso continuo |
Premiered at Eszterháza in September 1768 |
|
1769 |
4 |
after Goldoni |
Le pescatrici |
2 Sop., Alto, 2 Tenors, 2 Basses, Voices (Chorus), 2 Flutes, Oboe (doubling English Horn), 2 Horns, Strings, Basso continuo |
Composed in 1769, performed in 1770 |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
Incidental Music – Hoboken XXX |
||||
|
Year |
Hob 30# |
Title |
Voices/Instruments |
Notes |
|
1763 |
1 |
La marchesa nespola |
Soprano, Tenor, 2 Flutes, 2 Oboes, 2 Horns, Strings, Basso continuo |
Only fragments remain |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~