On 1 June, 1792, William Napier published his Second Volume of Scottish National Airs. The one hundred included songs had been set by Haydn during his first London journey. Napier had already published (in 1790) the first volume of a projected set of Scottish National Airs with accompaniment of a violin and figured bass continuo. A pianoforte played the vocal line in the right hand and realized the figured bass in the left hand. In practice, a cello frequently sat in and helped with that, so essentially it was a simplified piano trio.
In 1795, Volume Three was published, containing an additional fifty Haydn settings. Given the difficulty of finding information about the specific songs, even when you have recordings of them, I have created this list which includes the essential data on the fifty songs of 1795. Wherever the poet was known I have included it. In some cases they were traditional poems, no author ever known, thus are attributed to the famous 'Anonymous'. This is important to know, because later on, we will see songs with the same names as some of these, but the lyrics are entirely different from the original. Robert Burns was particularly fond of doing this, taking an old, anonymous song, and writing a completely different set of words for it! I hope this aids your enjoyment of these fine works.
Here is part 1 of the backstory
Here is part 2 of the backstory
Hob 31 |
Title |
Lyric |
Key |
a:101 |
The Bonnie gray ey'd morn |
Allan Ramsay |
Bb |
a:102 |
Bonnie wee thing |
Robert Burns |
A |
a:103 |
Roy's wife of Aldivalloch |
Mrs. Grant of Carron |
C |
a:104 |
While hopeless |
Robert Mundell |
e |
a:105 |
Frae the friends and land I love |
Robert Burns |
Eb |
a:106 |
Shepherd's son, The |
Anon. |
G |
a:107 |
A Cold frosty morning |
Allan Ramsay |
F |
a:108 |
O, for ane-and-twenty Tam! |
Robert Burns |
Eb |
a:109 |
Johnie Armstrong |
Anon. |
G |
a:110 |
I do confess thou art sae fair |
Robert Burns |
d |
a:111 |
Now westlin winds |
Robert Burns |
c |
a:112 |
Green sleeves |
Allan Ramsay |
e |
a:113 |
The Posie |
Robert Burns |
c |
a:114 |
As I cam down by yon castle wa' |
Robert Burns |
e |
a:115 |
The Minstrel |
Thomas Pickering |
c |
a:116 |
The Ewie wi' the crooked horn |
Rev. John |
F |
a:117 |
Fair Eliza (Gaelic air) |
Robert Burns |
e |
a:118 |
The Widow |
Allan Ramsay |
Eb |
a:119 |
Yon wild mossy mountains |
Robert Burns |
g |
a:120 |
My Goddess woman |
John Learmont |
c |
a:121 |
She's fair and fause |
Robert Burns |
e |
a:122 |
O'er the moor amang the heather |
Jean Glover |
Eb |
a:123 |
The Tears I shed |
Helen Darcy Cranstoun |
e |
a:124 |
The wee wee man |
Anon. |
Eb |
a:125 |
Nithsdall's welcome hame |
Robert Burns |
D |
a:126 |
Bid me not forget |
Peter Pindar |
G |
a:127 |
Lady Randolph's complaint |
Thomas Blacklock |
G |
a:128 |
The Shepherd's wife |
Anon. |
Eb |
a:129 |
The weary pund o' tow |
Robert Burns |
G |
a:130 |
The Tither morn |
Robert Burns |
F |
a:131 |
Ae fond kiss (?Celtic air) |
Robert Burns |
e |
a:132 |
Jenny drinks nae water |
Peter Pindar |
Bb |
a:133 |
The Vain pursuit |
Thomas Blacklock |
C |
a:134 |
What can a young lassie do |
Robert Burns |
b |
a:135 |
The Rose bud |
Anon. |
Bb |
a:136 |
Dear Silvia |
Peter Pindar |
Eb |
a:137 |
The Slave's lament |
Robert Burns |
d |
a:138 |
The Death of the linnet |
Anon. |
Eb |
a:139 |
Donald and Flora |
Hector Macneill |
D |
a:140 |
Lass gin ye lo'e me, tell me now |
Anon. |
A |
a:141 |
Hughie Graham |
Robert Burns |
g |
a:142 |
On a bank of flowers |
Robert Burns |
c |
a:143 |
Morag (Celtic air) |
Robert Burns |
d |
a:144 |
A Country lassie |
Robert Burns |
D |
a:145 |
Strathallan's lament |
Robert Burns |
D |
a:146 |
Tho' for sev'n years and mair |
Allan Ramsay |
F |
a:147 |
Bess and her spinning wheel |
Robert Burns |
G |
a:148 |
Kellyburn braes |
Robert Burns |
Eb |
a:149 |
O'er the hills and far away |
Anon |
f or b |
a:150 |
Strephon and Lydia |
William Wallace |
Eb |